It's a bit subtextual at points, and not wholly convincing, but refuting this idea is imo the main point of the book. Surprised it hasn't been emphasized more in reviews.
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That's sort of the point. My reading of that part of the book is that CIA slush funds helped bankroll vast swathes of art and culture, but, that, at the end of the day, it didn't matter all that much compared to Elvis and Hollywood and other cultural products.
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