7. In the 19th and early 20th century in the United States (and indeed up till the present in the United Kingdom) it was common to portray the Irish as simians.pic.twitter.com/gSjcAlyfVn
1. Writer, The Nation https://www.thenation.com/authors/jeet-heer/ … 2. email: jeetheer1967 at gmail dot com 3. Twitter essayist 4. Drawn by Joe Ollmann
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7. In the 19th and early 20th century in the United States (and indeed up till the present in the United Kingdom) it was common to portray the Irish as simians.pic.twitter.com/gSjcAlyfVn
8. The Irish Simian lives on in two very popular characters: the American everyman Homer Simpson & the Grinch (which Michelle Abate traces back to images like this 19th drawing of Bridget McBruiser).pic.twitter.com/5ZTcKOf9RL
9. I was dissatisfied with both sides of the Seuss wars. Unlike lunkheads like Ted Cruz, I wouldn't ever show the racist ooga-booga images to kids. But I don't want the books to go out of print either; cultural history is too important. The books should stay in print for adults.
10. My sure-to-please-nobody solution is that Seuss should be in the public domain so the early books with racist/ethnic stereotypes can stay in print and be part of a discussion of the pervasiveness of racist iconography. More here:https://www.thenation.com/article/culture/seuss-racism-cancel-legacy/ …
The pdfs are wideky available, much like Song of the South DVDs on Amazon.
I think archival editions that contextual the racism would be better than bootleg pdfs or dvds.
I think the public domain option complicates the copyright laws a bit.
Voluntarily putting a work in the public domain (prior to the automatic 1000 or whatever year period Disney lobbied for) doesn't really cause copyright issues, does it?
Which The Seuss Foundation has decided not to do, and they own the copyright. Basically, it comes down to whether a copyright holder can choose not to publish something they own the right to.
Oh yeah, then I agree. I think there's no real legal mechanism for forcing a publisher to reprint something just because it has historical academic merit, I can't think of any fair test that could be applied to determine that merit. It would have to be voluntary
The legal mechanism would be reform to shorten copyright-- which is what I'm arguing for.
The Seuss story is newsworthy and it's a good example of how long-lasting corporate copyrights work against the public interest.
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