Nobody draws the Irish this way anymore. I blame cancel culture.pic.twitter.com/9mJZ6bPj2F
1. Writer, The Nation https://www.thenation.com/authors/jeet-heer/ … 2. email: jeetheer1967 at gmail dot com 3. Twitter essayist 4. Drawn by Joe Ollmann
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Nobody draws the Irish this way anymore. I blame cancel culture.pic.twitter.com/9mJZ6bPj2F
In greater seriousness, I know the whiteness literature is a little out of fashion right now, but it's hard for me to look at 19th century art & not conclude that Anglo-American WASPs racialized Irish Catholics.
Some people have noticed that the woman (Bridget McBruiser, an example of Irish depravity from Samuel Wells' 1866 New Physiognomy) looks like the Grinch. That's not an accident.pic.twitter.com/Z1Oq2aezjl
One compelling argument made by @philnel is that Dr. Seuss used ethnic stereotypes not just for human characters but also as the basis of various fanciful or anthropomorphic creations like The Grinch & Cat in the Hat.pic.twitter.com/uL9lurkER4
This is not - I want to be clear on this - an argument for delisting or cancelling the Grinch or Cat in the Hat. The stereotypes they were built on are so distant & suppressed that they are really invisible (or almost so) to contemporary readers. But it's good history to know
Reminded of stories about Watto and some other aliens in the Star Wars prequels, that Lucas thought racist caricatures had been made into such detailed characters but so far removed from the people they were intended to caricature, he thought they could be separated from that
(I have no idea if that's an accurate description of his thought process, it was a claim that went around at the time)
I don't know if Lucas was so conscious of it. More like he was drawing on memories but forgetting the source material.
Yeah, I really don't know either. There were so many clear and intentional references to old serials and pulps that I'm inclined to ascribe most of his work to conscious intent, but it's a tough thing to determine
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