we’re watching MANK tonight and my immediate thought is that the lighting is bad
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yep. it’s not just the director either. it’s the entire crew. it was a way of making films that you have to recover if you’re going to emulate it.
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_The Man Who Wasn't There_ lost me almost instantly. It just didn't look right. I had a feeling it was shot on color stock and mixed down to B&W in post. And so it was. I was probably also reacting to lighting anachronisms.
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Young Frankenstein!
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