RIP S. Clay Wilson, 1941-2020. Perhaps the most obscene artist who ever lived, who via his impact on Crumb and the undergrounds, opened up visual art to truly new levels of scatology and profanity.pic.twitter.com/bRkpcuptCa
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Oh, my. The absence of a sudden presence. I think my favorite thing of his was the one-page "The Can of Beer," for the way the unnamed biker comes alive on the page.
He and his contemporaries set a bar that is astounding. Collectively, that scene produced some awesome, fearsome, loathsome, hilarious, documentary level, psychologically revealing work Wilson just took it a bit further. His work crammed everything into the visuals of his comix
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