There is a balm in Gilead. (And I have another 12 volumes to go.
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My memory of them as I read them initially was that there’s a decline, but a pickup in the last years, especially as he gets more interested in Rerun’s perspective. And some of the linework from his latter days has a real distinct beauty of age to it.
"Peanuts" is best approached like the Dead, in that there will be years of inarguable excellence --though everyone will argue about which is the peak -- rough years with sporadic rallies and pockets of brief brilliance in even the worst years of decline.
I personally think even the later ‘worse’ years have some great strips. When you consider he drew every single strip himself there’s bound to be lulls. Schulz spent a lot of time in the 90s experimenting with the 3 panel format which often made them more interesting for me
Close enough . . . for me, sustained peak was '60 - '80 . . .
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