there is a long and embarrassing tradition of political writers thinking they are qualified to do music criticism but few have taken my path of being a music critic who switched to political writing with no qualifications
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I mean, publication-wise a lot of music criticism came first. But his Ph.D. and Habilitation were in philosophy
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My understanding was that his musical training came first, then the philosophy and social theory. But of course he stuck with the music criticism (and composition) his entire life.
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