Part of the subtext f The Irishman (and other Scorsese movies) is that gangsters are not just criminal but counter-revolutionary: not just Cuba but also handling of Joe Gallo working with blacks, the friendship with Rizzo, the embrace of white ethnic identity (in Rickles scene)https://twitter.com/derrickokeefe/status/1200959024407011331 …
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actually he's one degree of separation ive been told:)
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