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HeerJeet's profile
Jeet Heer
Jeet Heer
Jeet Heer
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@HeerJeet

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Jeet HeerVerified account

@HeerJeet

1. Writer, The Nation https://www.thenation.com/authors/jeet-heer/ … 2. email: jeetheer1967 at gmail dot com 3. Twitter essayist 4. Drawn by Joe Ollmann

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Joined June 2012

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    1. Jeet Heer‏Verified account @HeerJeet 15 Oct 2019

      1. The Harold Bloom conversation seems to be people talking at cross-purposes with one group saying "let's celebrate the great man's work" & another saying "he was a creep & predator." But maybe the two sides can be linked? What's the relationship between the life & work?

      21 replies 35 retweets 144 likes
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    2. Jeet Heer‏Verified account @HeerJeet 15 Oct 2019

      2. I thought this Times obituary did a disservice to Bloom by foregrounding his banal late-period "Western canon is 💯" rather than the scholarly work that his lasting reputation rests on (the advocacy for the romantics & "Anxiety of Influence"

      3 replies 6 retweets 80 likes
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    3. Jeet Heer‏Verified account @HeerJeet 15 Oct 2019

      3. I'm not the biggest fan of Freud or Bloom but "Anxiety of Influence" did help return history to literary studies (in a period of arid formalism) by showing the richness of poets responding to each other. Also: Bloom wasn't cowed by Eliot/Pound's dismissal of the romantics

      4 replies 5 retweets 68 likes
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    4. Jeet Heer‏Verified account @HeerJeet 15 Oct 2019

      4. But by the 1970s, Bloom's individualism (inherited from the romantics) was already atrophying into a kind of maniacal narcissism: all that counted was the strong writer and the strong reader (the strongest of whom was Bloom), a veritable God-like creature.

      3 replies 4 retweets 64 likes
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    5. Jeet Heer‏Verified account @HeerJeet 15 Oct 2019

      5. Some context: Bloom, like other Yale bigwigs, responded badly to the social movements of the 1970s, particularly feminism. Yale English was notoriously hostile to female grad students. And Bloom preyed on students. His hyper-individualism was intellectual counterpart to this.

      2 replies 7 retweets 63 likes
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    6. Jeet Heer‏Verified account @HeerJeet 15 Oct 2019

      6. Hyper-individualism is everywhere in Bloom -- in the exaltation of Emerson, in gnosticism, in how his pathway to Judaism was mysticism, in his revival of hoariest idea of "genius." That hyper-individualism, I'd argue, was rooted in his rejection of social movements.

      4 replies 3 retweets 49 likes
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    7. Jeet Heer‏Verified account @HeerJeet 15 Oct 2019

      7. Bloom's arguments for divorcing literature from its social context - for seeing writers as God-like beings who create but are not created - was a retreat from his own best work and also, sadly, a way of justifying an elite that was beyond normal morality.

      3 replies 7 retweets 69 likes
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    8. Jeet Heer‏Verified account @HeerJeet 15 Oct 2019

      8. Bloom's attacks on PC and "the schools of resentment" reads a little bit differently once you realize what a hot house of chauvinism Yale English was when he ruled the roost.

      1 reply 4 retweets 54 likes
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    9. Jeet Heer‏Verified account @HeerJeet 15 Oct 2019

      9. In the long run, the 1970s Bloom (which was the Bloom he remained till his death) will be seen as of a piece, the life and work both emblematic of the hyper-individualism of the "Me Decade" & (sorry) neoliberalism.

      5 replies 2 retweets 31 likes
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      Jeet Heer‏Verified account @HeerJeet 15 Oct 2019

      10. It's too bad Harold Bloom was so dismissive of popular culture because his "Anxiety of Influence" paradigm really helps illuminate the Joker movie.

      11:41 AM - 15 Oct 2019
      • 7 Retweets
      • 31 Likes
      • iusvaldio igor farias B. J. Song Jonathan Bate Lynne Barrett frame perfect 'skip intro' press RiShawn Biddle tim dewey Peggy Mackenzie
      4 replies 7 retweets 31 likes
        1. New conversation
        2. Jeet Heer‏Verified account @HeerJeet 15 Oct 2019

          11. The melancholy of Joker comes from what Bloom would call its belatedness, its desire to simultaneously pay tribute to the symbolic father (Scorsese) and also to kill and replace him.

          3 replies 2 retweets 26 likes
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        3. Jeet Heer‏Verified account @HeerJeet 15 Oct 2019

          12. Joker, in the new film, is a fusing of the main characters of two Scorsese films (Taxi Driver & King of Comedy). Robert DeNiro, who played those characters, is in Joker and his character is killed by Joker. Joker is about the desire to kill & replace Scorsese.

          3 replies 6 retweets 52 likes
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        4. Jeet Heer‏Verified account @HeerJeet 15 Oct 2019

          13. The oedipal theme is pretty explicit in Joker (the hero thinks Thomas Wayne is his father & hates him). But it exists not just at the level of plot but also the subtext (in how the Scorsese material is handled). Scorsese has to be eliminated for a fresh start to begin.

          3 replies 1 retweet 26 likes
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        5. Jeet Heer‏Verified account @HeerJeet 15 Oct 2019

          14. I think Scorsese is of the oedipal drama going on, hence his hostile comments about superhero movies. He's not prepared to give up the throne to this unworthy spawn.

          11 replies 3 retweets 37 likes
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        6. End of conversation
        1. W. Ron Sweeney‏ @wronsweeney 15 Oct 2019
          Replying to @HeerJeet

          Jeet.

          0 replies 0 retweets 2 likes
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        1. in the pocket of Big Tenant‏ @AllezLesBoulez 15 Oct 2019
          Replying to @HeerJeet

          Jeet no!!!

          0 replies 0 retweets 2 likes
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        1. New conversation
        2. Robert Boyd‏ @RWBoyd 15 Oct 2019
          Replying to @HeerJeet

          We he dismissive of popular culture? He wrote a piece on The Band for the WSJ:https://www.wsj.com/articles/yale-professor-harold-bloom-on-the-band-1441121051 …

          1 reply 0 retweets 0 likes
        3. Jeet Heer‏Verified account @HeerJeet 15 Oct 2019
          Replying to @RWBoyd

          He had some dismissive comments about scholars studying Batman.

          1 reply 0 retweets 0 likes
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