The only good things the American right has given the world are Hugh Kenner's The Pound Era (1971) and Whit Stillman's Metropolitan (1990). Everything else is bullshit.
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Of course. Stillman is also part of that class. But the entire Stillman oeuvre (including the Metropolitan/Barcelona/Last Days of Disco trilogy) is an admission that while he may love it, he also knows that it is also a pile of dung.
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