The prospect of Bari Weiss in Australia is, frankly, terrifying. She loves reactionary hot takes & Australian media is as reactionary as it gets in anglophone world.
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If I'm reading this tweet right,
@conor64 thinks that making a joke at another writer's expense is sneaky & underhanded. Maybe! Maybe the only true nobility is earnestness & I'm a bad person. Mea Culpa.https://twitter.com/conor64/status/1026947154840092672 …Show this thread -
Anyways, if you want to see a genuinely mean-spirited attack on Weiss & New York Times op ed section, far beyond what I would dare, go to
@michelleisawolf, who is much funnier than I amhttps://www.youtube.com/watch?v=GsWj7Q5iPus …Show this thread
End of conversation
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They perfectly know you're doing satire. They don't care. They just want you banned from this place by an algorithm that can't make the difference. This guy for example is famous for impersonating a world-annihilating meteor. That still got him reported:https://twitter.com/smod4real/status/1026704817794600960 …
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you should ask the
@nytimes if they will print an op-ed about your experience of being persecutedThanks. Twitter will use this to make your timeline better. UndoUndo
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I have discovered that half the people I talk to in real life can't understand when I'm joking, so I assume the comprehension level is even lower on Twitter.
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you should just keep mocking her/ them, I think the dogpile is probably more related to your mocking of white genocide earlier, honestly
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As a writer you should know sarcasm/irony/satire can be hard to see in print. Some people literally thought Orwell's 1984 was sci-fi about the future, not an allegory about the Soviet Union.
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Tones of voice and subtle humor on Twitter at your own risk. No different from email, text and all other kinds of short written communication. And especially if your audience is outside your cultural bubble.
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Seems like a waste of effort to do that for each individual article when once on the cover would suffice. (j/k)
End of conversation
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