Guy LodgeOvjeren akaunt

@GuyLodge

Freelance film critic: Variety, The Observer, The Guardian, more. Beneath this glassy surface, a world of gliding monsters.

London, England
Vrijeme pridruživanja: srpanj 2009.

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  1. Prikvačeni tweet
    24. lis 2019.

    At last, a way for me to discuss my twin passions of cinema and knitwear. Had so much fun writing and narrating the latest Inside Cinema episode for .

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  2. For a category that first honoured a female writer, Frances Marion, in the 1930 ceremony, that's a pretty sad recent legacy.

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  3. It truly bears repeating that not a single woman has won a screenwriting Oscar — not even as a co-writer — since Diablo Cody twelve years ago.

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  4. proslijedio/la je Tweet
    prije 13 sati
    Odgovor korisnicima

    sir i was making fun of you. your take sucks and so does your name

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  5. Poništi
  6. proslijedio/la je Tweet
    prije 14 sati
    Odgovor korisniku/ci

    gather around everyone, somebody named guy has a hot take to share

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  7. To clarify, these were the years when Best British Film was jury-determined. Bring it back!

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  8. That was a good era, is what I'm saying. Now, the award is annually a foregone conclusion, and a mostly meaningless sop to films with eyes on a bigger prize.

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  9. Remember that brief, exciting period when the Best British Film BAFTA was unofficially a Best British Indie award, and annually pulled out giant-slaying upsets? FISH TANK over AN EDUCATION, MAN ON WIRE over SLUMDOG, THIS IS ENGLAND over ATONEMENT, THE WARRIOR over THE Hours, etc.

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  10. Just collected my phone from a saintly Uber driver in whose car I left it at 5.30 this morning. His words: "Oh good, you look better."

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  11. 2. velj

    Sticking with this: 7. But prove me wrong, PARASITE! I'd be so thrilled.

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  12. 2. velj

    Meanwhile, the BAFTA technical categories matched my Oscar predictions 100%.

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  13. 2. velj

    I called Micheal Ward's BAFTA win, and I'm glad to be right — he's really exciting. Telling that he won a public vote off the back of a British indie phenomenon, BLUE STORY, with a black filmmaker and ensemble, that BAFTA voters entirely ignored.

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  14. 2. velj

    BAFTA sides with the Annie Awards on KLAUS, following the Globes' swerve for MISSING LINK. Best Animated Feature, almost always one of the dullest Oscar races, is looking pretty lively this year. Has Pixar franchise fatigue really set in?

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  15. 2. velj

    Anyway, I stand corrected: some people have very strong feelings about FORD V. FERRARI.

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  16. 2. velj

    Just a guy on Twitter having a normal one

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  17. 2. velj

    It could win as many as three Oscars next week without leaving a ripple.

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  18. 2. velj

    Shoutout to FORD V. FERRARI, the rare Best Picture nominee that barely anybody has had a thing to say about at any stage of the season. It came out, people liked it, it made lots of money, it got nominated for an Oscar: that's the narrative.

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  19. proslijedio/la je Tweet
    2. velj

    BIFA: How We Overhauled Our Voting System to Give Films a Fair Shot (Column)

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  20. 2. velj

    Isn't this what Best Director awards are for?

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  21. 2. velj

    MISS AMERICANA is good, but there's not enough about Beautiful Ghosts.

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