Film International

@FilmInt

The official twitter account for the film magazine Film International. Tweets by Daniel Lindvall unless otherwise stated.

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Vrijeme pridruživanja: siječanj 2010.

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  1. proslijedio/la je Tweet
    6. pro 2019.

    Film om camorran som väcker frågor - Filmens styrka ligger i den intima, humanistiska skildringen av hur en känslig, kärleksfull pojke blir en mördare, skriver Daniel Lindvall om Camorrans barn som har svensk premiär idag fredag.

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  2. 4. pro 2019.

    Thomas Puhr on Lars Gustaf Andersson and John Sundholm's "compact, yet densely layered" The Cultural Practice of Immigrant Filmmaking from :

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  3. proslijedio/la je Tweet

    THE KILLING's Sofie Gråbøl goes very much against type in Daniel Joseph Borgman's tragic feral fairy tale RESIN. My review over at --->

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  4. 7. stu 2019.

    Jeremy Carr on the new 4K restoration showing Friday, November 8 to Thursday, November 14 at New York's Film Forum:

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  5. 6. stu 2019.

    "April Wright's Going Attractions: The Definitive Story of the Movie Palace is not flashy, but it does provide a fascinating historical perspective of how grand movie theaters...have become nearly extinct." A review by Elias Savada:

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  6. 10. tra 2019.

    "Dziga Vertov has been studied for some time by those who recognize his enduring legacy that can be further understood, thanks to texts like this new book and, hopefully, others to follow."

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  7. 4. tra 2019.

    Both inside and outside night scenes reveal distinctive German expressionist techniques"

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  8. 17. velj 2019.

    "Fans fearing that Tim Sutton has gone 'mainstream' need not fear. His contemplative, elliptical visual style remains intact and is all the more striking now that it has something, however bare-bones, to stick to." Thomas Puhr on Donnybrook from IFC Films:

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  9. 11. velj 2019.

    "Lillie seemed like a veteran at this point. Originally a stage actress, her comedic timing is impeccable and her facial reactions could rival that of Buster Keaton, who could express so much with just a look." Janine Gericke on :

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  10. 5. velj 2019.

    "Based on a 1994 novel by Ryû Murakami, whose writing also inspired Takashi Miike’s Audition (1999), Piercing shares more than a few aberrant peculiarities with Pesce’s film." Jeremy Carr:

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  11. 16. sij 2019.

    After years of Kiarostami films focusing on rural lives of children, Iranian films have had an aversion to repeating him...But shows that the so-called periphery of the country still has much to offer."

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  12. 18. pro 2018.

    Dean Goldberg writes about the passing of acclaimed director, Nicolas Roeg

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  13. 27. stu 2018.

    OUT NOW: FILM INTERNATIONAL 85: George A. Romero, Queer Bodies on the Beach, Ida Lupino, Reassessing Morality in KIDS, Shakespeare in Bollywood, Kiyoshi Kurosawa, Barbara Kopple and much more. Full contents here:

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  14. 20. stu 2018.

    "Gorfinkel underscores just how vital sexploitation films of this era are in terms of broader film history.”

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  15. proslijedio/la je Tweet
    30. lis 2018.

    My review of Cornel Wilde’s THE NAKED PREY, from , for .

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  16. 7. stu 2018.

    Cinema of Cascades: Victor Kossakovsky on Aquarela by Yuh-hua Chen:

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  17. 7. stu 2018.

    "This DVD is attractively compact, informative, and professionally produced – a tribute to the hard work put into it by both The Film Noir Foundation and Flicker Alley." Tony Williams on THE MAN WHO CHEATED HIMSELF:

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  18. 15. lis 2018.

    "Street Mobster presents a gritty and tawdry street life, enlivened with brothels and bars and incessant brawls, by flickering neon lights and an occasionally noirish nighttime ambiance."

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  19. 9. lis 2018.

    "Mcneill’s iteration of Lizzie Borden is a perfect fit for 2018. I can understand why Sevigny worked so hard to bring this film to the screen. This is the story of two women who decide to take action together, though in the most extreme way possible."

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  20. 9. lis 2018.

    Over the next few weeks, we will be attempting to tweet out some of our backlogs so that we can update everyone with new articles as they come out! Stay tuned.

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