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Film International proslijedio/la je Tweet
Film om camorran som väcker frågor - Filmens styrka ligger i den intima, humanistiska skildringen av hur en känslig, kärleksfull pojke blir en mördare, skriver Daniel Lindvall om Camorrans barn som har svensk premiär idag fredag. https://opulens.se/scenkonst/film-om-camorran-som-vacker-fragor/ …pic.twitter.com/mrPl8viUIK
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Thomas Puhr on Lars Gustaf Andersson and John Sundholm's "compact, yet densely layered" The Cultural Practice of Immigrant Filmmaking from
@IntellectBooks:http://filmint.nu/?p=28629Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
Film International proslijedio/la je Tweet
THE KILLING's Sofie Gråbøl goes very much against type in Daniel Joseph Borgman's tragic feral fairy tale RESIN. My review over at
@FilmInt ---> http://filmint.nu/?p=28377 pic.twitter.com/Buy1I3TscO
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Jeremy Carr on the new 4K restoration showing Friday, November 8 to Thursday, November 14 at New York's Film Forum: http://filmint.nu/?p=28589
#YasujirōOzuHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
"April Wright's Going Attractions: The Definitive Story of the Movie Palace is not flashy, but it does provide a fascinating historical perspective of how grand movie theaters...have become nearly extinct." A review by Elias Savada: http://filmint.nu/?p=28562
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"Dziga Vertov has been studied for some time by those who recognize his enduring legacy that can be further understood, thanks to texts like this new book and, hopefully, others to follow."http://filmint.nu/?p=27054
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Both inside and outside night scenes reveal distinctive German expressionist techniques"http://filmint.nu/?p=26933
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"Fans fearing that Tim Sutton has gone 'mainstream' need not fear. His contemplative, elliptical visual style remains intact and is all the more striking now that it has something, however bare-bones, to stick to." Thomas Puhr on Donnybrook from IFC Films:http://filmint.nu/?p=26670
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"Lillie seemed like a veteran at this point. Originally a stage actress, her comedic timing is impeccable and her facial reactions could rival that of Buster Keaton, who could express so much with just a look." Janine Gericke on
#ExitSmiling:http://filmint.nu/?p=26550Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
"Based on a 1994 novel by Ryû Murakami, whose writing also inspired Takashi Miike’s Audition (1999), Piercing shares more than a few aberrant peculiarities with Pesce’s film." Jeremy Carr:http://filmint.nu/?p=26553
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After years of Kiarostami films focusing on rural lives of children, Iranian films have had an aversion to repeating him...But
#HendiandHormoz shows that the so-called periphery of the country still has much to offer." http://filmint.nu/?p=26450Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
Dean Goldberg writes about the passing of acclaimed director, Nicolas Roeghttp://filmint.nu/?p=26255&fbclid=IwAR0FzoKaWBwZzmgDm73sURxJkQk9tkfLw2XH-BHoD9uOpMIkEvDCbO62V80 …
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OUT NOW: FILM INTERNATIONAL 85: George A. Romero, Queer Bodies on the Beach, Ida Lupino, Reassessing Morality in KIDS, Shakespeare in Bollywood, Kiyoshi Kurosawa, Barbara Kopple and much more. Full contents here:http://filmint.nu/?page_id=230
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"Gorfinkel underscores just how vital sexploitation films of this era are in terms of broader film history.”http://filmint.nu/?p=26088
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Film International proslijedio/la je Tweet
My review of Cornel Wilde’s THE NAKED PREY, from
@Criterion, for@FilmInt.http://filmint.nu/?p=25957Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
Cinema of Cascades: Victor Kossakovsky on Aquarela by Yuh-hua Chen:http://filmint.nu/?p=25812
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"This DVD is attractively compact, informative, and professionally produced – a tribute to the hard work put into it by both The Film Noir Foundation and Flicker Alley." Tony Williams on THE MAN WHO CHEATED HIMSELF: http://filmint.nu/?p=25782
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"Street Mobster presents a gritty and tawdry street life, enlivened with brothels and bars and incessant brawls, by flickering neon lights and an occasionally noirish nighttime ambiance."http://filmint.nu/?p=25772
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"Mcneill’s iteration of Lizzie Borden is a perfect fit for 2018. I can understand why Sevigny worked so hard to bring this film to the screen. This is the story of two women who decide to take action together, though in the most extreme way possible."http://filmint.nu/?p=25824
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Over the next few weeks, we will be attempting to tweet out some of our backlogs so that we can update everyone with new articles as they come out! Stay tuned.
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