Uhhhhh, I think you missed the point of that.
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Replying to @FilmCritHULK
And I never talk about "correct" - Besides, I make my better argument for that movie herehttp://observer.com/2018/05/looking-back-at-the-wachowskis-2008-masterpiece-speed-racer/ …
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It's really not a dismissal, but it's upholding the notion that they know cinematic language in terms of baseline communication. I think the issue of dissonance is the fact that turn that hyper-language up to 11.
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Wait, now I'm confused, I thought you were just arguing the exact opposite.
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I know but the script is really, truly sound as hell and I make the tone argument in the other section, sooooo. I'm just kinda unsure what we're actually talking about ehre.
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