I've had a lot on my mind regarding movie conversations lately, chiefly the difference of "Text" vs. "Texture" - and I think I've unpacked a whole bunch of stuff in my latest column. Cheers :)http://observer.com/2018/05/the-two-crucial-filmmaking-elements-causing-all-your-movie-feuds/ …
A mystery that literally has no answer or point or coherence and is not addressed within the movie in any way. That is 100% a narrative failing on all levels. And every person who says "the next one will..." these movies never, ever do that.
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Hm. Some art is defined as much by the lines you don't draw as the lines you draw. Same goes with good characters. Revealing less can evoke more. I felt it did with Thanos's character. If you didn't? *Shrugs* C'est la vie!
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I'm not saying people can't bring meta appreciation into it, that's the whole part of the essay where I talk about projection. I'm just saying that's absolutely not the most effective dramatic storytelling. Besides, if you're talking about the undrawn lines, you communicate that-
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