Uhhhhh, I think you missed the point of that.
And I never talk about "correct" - Besides, I make my better argument for that movie herehttp://observer.com/2018/05/looking-back-at-the-wachowskis-2008-masterpiece-speed-racer/ …
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It's really not a dismissal, but it's upholding the notion that they know cinematic language in terms of baseline communication. I think the issue of dissonance is the fact that turn that hyper-language up to 11.
End of conversation
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