it is 2018 no one is going to slow-motion explain to you how crossovers work or what the genre conventions are read a book
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And to be clear, his argument is not that it's stupid that people like them and think about them after, it's that it presumes.
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This is a really interesting argument/ideological divide we're getting with this unprecedentedly serialised series of films: the more formalist "A movie should be a discrete unit" view vs. "Of *course* it presumes, that's deliberately what they're doing."
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i think there are plenty of very good reasons to dislike the film. this article is...none of them. it's just wilful illiteracy. i'm not sure why that needs defending, but i'm willing to be convinced. i look forward to your piece!
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