In that entire sweeping era of 2000's found footage, I think there are two projects that actually nailed the cinematic language by actually treating it as the reality of "people being filmed." The Office UK. And Chronicle. Maybe another?
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2. It will swing back out to show that same space in real time and the person who would have got that shot, won't be there. This isn't a problem in real "god's eye" cinematography. But with a mockumentary, it very much is I argue.
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Because you're constantly undermining your cinematic language / reality for a cheating momentary effect. I never know what's "real."
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