In that entire sweeping era of 2000's found footage, I think there are two projects that actually nailed the cinematic language by actually treating it as the reality of "people being filmed." The Office UK. And Chronicle. Maybe another?
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So it has to do with filmmakers sticking to the narrative device throughout, and not taking logical leaps for story/entertainment purposes? Genuinely asking, no B.S.. rare for me.
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It's honoring the choices of cinematic language / reality. Those aren't logical leaps. That's trying to have it both ways.
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How do you figure there were few choices being made? The actors made choices every moment they were on camera in terms of their characters and dialogue, while the directors had to make tremendous choices when shaping hours of footage into a finished film.
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