gonna read this AFTER I see the movie.
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Now's the time to shout that Summer of Sam, Clockers, 25th Hour and many others are masterpieces, both because AND regardless of the social context. Nobody talks about how Spike Lee wanted to become the new Scorsese and became someone even more special.
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I mean, I talk about that, haha.
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Excellent essay, especially your call out of the Sterling K. Brown scene. I saw a deliberate GET OUT reference all the way through that scene, down to the TV - "The Risen Place", if you will.
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Most don't seem mad.
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People think you deemed DTRT as “inaccessible” because you had the NERVE to point out BP is an accessible superhero movie.
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I'm still staggered by that last line. Millions of people are going to leave the theater with its profound, horrifying implications rattling around their heads, and that's nothing short of a pop culture miracle
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