Black Panther or: How Marvel Learned to Stop Worrying and Love Color Grading
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Nothing better than black skin tones forcing a studio to discover black levels
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Sorta. It’s sporadic. Rachael Dunn’s done a great job -the casino interior is a standout; rich, dark, patinated - but the ‘up against a 40’ green screen in a parking lot in Atlanta’ aesthetic dominates proceedings as ever. Felt no closer to Africa than I did watching Paddington 2
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