TO BE VERY CLEAR. 1. BOTH SUBJECTS ARE REPREHENSIBLE. 2. YOU CAN MAKE POWERFUL ART OUT OF ANYTHING. BUT THE WHOLE POINT IS THAT...
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3. SERIAL KILLERS GET FETISHIZED AND PERVERTED INTO POP NARRATIVES BECAUSE THEY FIT ATTRACTIVE PULP STORY MECHANICS.
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Three: you forgot thrillers (as distinct from horror).
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What about God bless America tho?
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The OA tried it in what I thought was gut wrenching scene. Wouldnt mind seeing it where it is isn't toppled by interpretive dance.
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One of the main sub plots in the first American Horror Story deals with both
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TARGETS (1968) is as good as we're ever going to get.
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That sounds right. It just bugs me watching all this attention and style being paid to a much smaller and more infrequent problem
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'Sons of Anarchy' showed a school shooting in its later seasons. And the Punisher is introduced as a mass shooter in 'Daredevil'. New trend?
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What about films centered on the grieving process? The Sweet Hereafter-esque. Don’t foresee any “obsession” but could be a cathartic take.
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