THE BROADWAY PLAY USES THE STORY TO PUSH INTO A RADICALLY DIFFERENT FORM, HIGHLIGHTING A VERY SPECIFIC ART STYLE. IT'S GREAT.
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THESE LATEST CGI RE-CREATIONS ARE... STRANGE TECH EXERCISES AT BEST? NAKED CASH GRABS? EMPTY NOSTALGIA PITS? OR...
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COVER BAND MOVIES WHERE THE HEIGHT OF YOUR ENJOYMENT IS NOTICING HOW MUCH THE LEADER SINGER'S VOICE SOUNDS LIKE THE STAR.
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IN THE END. JUST TRULY DON'T GET IT. BEYONCE'S PRESENCE DOESN'T JUST FIX EVERYTHING, EVEN IF SHE'S PERFECT.
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NOW REALIZING SOME OF YOU HAVE VERY INTERESTING OPINIONS ABOUT THE ORIGINAL LION KING.
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Replying to @FilmCritHULK
What's the difference to this and Shakespeare tho? Like theatres aren't just putting on the billionth version of R+J for the craft.
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Replying to @TheGrungeChild
THEATER IS LITERALLY BUILT ON THE IDEA OF DOING DIFFERENT VERSIONS. FILM, IT'S A MUCH TRICKIER THING. ESPECIALLY WITH CLASSICS.
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Replying to @FilmCritHULK @TheGrungeChild
BECAUSE THOSE CLASSICS STILL EXIST AND ARE IMMEDIATELY WATCHABLE IN EXACT FORM.
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Replying to @TheGrungeChild
WILL TOTALLY AGREE THERE IS A WEIRD ALCHEMY WHEN IT COMES TO WHAT DOES AND DOES NOT MAKE SENSE FOR A REMAKE, BUT NOTHING ABOUT THESE
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RECENT ONES MAKE SENSE FOR HULK. FOR ALL THE STATED REASONS. BUT ULTIMATELY IT'S JUST DRUTHERS. GOOD CAST AND IT WILL MAKE SO MUCH MONEY.
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