FOR THE MILLIONTH TIME, LYNCH IS NOT WEIRD FOR THE SAKE OF BEING WEIRD. YES, HE'S OFTEN ABSTRACT, BUT HIS SYMBOLOGY IS ALWAYS BEYOND CLEAR.
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That 5 minute long horror shot moving towards the cloud with the blaring violins, goddamn. Im gonna remember that for a long time
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Inland Empire resists this assessment.
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The sequence with the Giant was riveting. His deliberative movement, the steampunk aesthetic, the *music*. Completely enthralled.
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FYI, TO BE CLEAR - THIS ISN'T ABOUT "UGH, YOU DON'T GET IT!" THE GREAT PART ABOUT LYNCH'S VISCERAL STYLE IS YOU DON'T EVEN HAVE TO GET IT.
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IT'S ABOUT WILLINGNESS TO ENGAGE, AND REFUTING THE ASSUMPTION THAT IT'S THE MEANINGLESS DRIBBLE OF SOME ESOTERIC ARTIST.
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