BECAUSE, TO HULK, THE INALIENABLE TRUTH IS THAT IT WOULD HAVE BEEN 1000 TIMES MORE EFFECTIVE WITH SIMPLE SHOT REVERSE SHOT.
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IN THE SHOT AS IS, YOU LOSE EVERY NUANCE OF THE PERFORMANCE, THE EYES,, ALL THE EFFORT OF THE ACTORS IS LOST TO A KIND OF SHOWINESS.
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The backlighting is artistic and all, but do you think with even just a bit more light on their faces might have helped?
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MADE THE SILENCE OF THE LAMBS ARGUMENT EARLIER.
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One could say the scene is structurally mirrored to the conversation. Two men unwilling to give any ground. Static.
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It is only when a character finally reveals the intimate - a story - do we cut into shot reverse shot.
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best sentence I've read today.
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