(THE REASON IS BECAUSE THE ALEXA IS REALLY, REALLY TRICKY TO COLOR CORRECT "PROPERLY" AND YES HULK GETS THAT THERE'S NO SUCH THING)
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@bdgrabinski@shawn_bannon@filmcrithulk yeah I should set up lists for the people I follow in production and post9 replies 0 retweets 1 like -
Replying to @ldmullen
@ldmullen@bdgrabinski@shawn_bannon WITH TUNGSTEN AND FIRE-LIGHT (RED / YELLOW ORIGINAL SOURCING) THERE'S NO WAY TO GET THE BLACKS PROPERLY2 replies 0 retweets 1 like -
Replying to @FilmCritHULK
@FilmCritHULK@bdgrabinski@shawn_bannon that shot seemed like they were just asking for trouble1 reply 0 retweets 0 likes -
Replying to @ldmullen
@ldmullen@bdgrabinski@shawn_bannon THE ALEXA CAN DO WHAT IT CAN DO REALLY WELL. SAME GOES FOR RED. BUT 35 CAN DO ANYTHING. THAT'S THE RUB1 reply 3 retweets 3 likes -
Replying to @FilmCritHULK
@FilmCritHULK@ldmullen@bdgrabinski@shawn_bannon Have you guys seen the Sony Cinealta F65 footage? Pretty interesting stuff.3 replies 0 retweets 0 likes
@Stormcrash @ldmullen @bdgrabinski @shawn_bannon YEAH. HULK CAN'T WAIT TO SCREW AROUND WITH IT AND SEE WHAT IT CAN DO, THAT'S FOR SURE.
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