the rapid juxtaposition between really good location work and mid 90's cgi is really something else in this
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Oh snap, Talisa Soto! That's now TWO actor connections to LICENSE TO KILLpic.twitter.com/pBdnGLRBDW
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First sample fight! One is a no name who does kicks where he loses his balance on the take and they still kept it for some reason! The other does ice magic! I wonder who will win???
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Seriously they kept the take where he loses his balancepic.twitter.com/rYNdCpujWb
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Goro holds up pretty good!
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"Look at him! No dignity! No manners! Yet in the realm of earth, men like him can amass great worth and almost god-like power." It's fun when movies like this have really good lines.
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Johnny Cage's whiny shit energy is off the charts and it is exactly correct.
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Love a movie with 40 minutes of set-up that still feels totally correct in doing so. So far my only complaint is that the mortal kombat song hasn't been subtly blasted the entire time
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Okay my only actual complaint is that NONE of these actors are selling their snaps on the choreography and I'm so glad most directors have figured that shit out. We've come a long way, folks.
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your "snap" is basically a little flourish at the end of a martial arts move that accentuates the vibration of the ending movement. It makes things look "faster" and like they have "impact"
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Replying to @FilmCritHULK
Go back to the master, look how hard he sells the end poses of each movement. It's sort of the same theory of what poses make up the big cels in animationhttps://www.youtube.com/watch?v=9OxR4Y4F02k&ab_channel=Shout%21Factory …
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