I mean, who could say no to more of THIS?pic.twitter.com/io0w2oI3Hd
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I'm disappointed we haven't gotten a sequel to that. At least something to explain this:pic.twitter.com/gmMLeFEfC0
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US Godzilla is surely one of the most heinous cultural appropriations ever. To Japan he has such tangible psychological weight. The spectre of their relationship with radiation/guilt/death/power. One of the most potent figureheads of collective introspection. Hollywood sees
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A *bit* more? One thing I can’t get over is how thoroughly G and K have been severed from their thematic underpinnings. In the Monsterverse: 1. Nuclear weapon testing was a *reaction to,* not *the cause of* Godzilla emergence. And...
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2. Kong is bound in chains twice. The first is a *freak accident*; the second, when he’s involuntarily hauled away from his home, it’s because *the Americans doing it truly do want the best for him, and it works out fine, and he’s mosy OK with it.*
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