Why then did you tell me “introduce a talking donkey in act one, that way by act three you can have the talking dog play basketball.”
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This says so much about why I love the end of TLJ (and sadly, the reaction to it from some).
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Also why TFAs ending doesn't work (all tease).
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Like Handmaiden.
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NEWS OF THE WORLD did this expertly, recently.
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Unforgiven nailed this.
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That honestly still sounds like teasing the audience by constantly moving the goalposts. I like Filmento's way of putting it: A series of reversals where the highs get higher but the lows get lower.https://youtu.be/hP_CxlqW-Pk
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This is how I feel about Get Out, I'm constantly thinking about that ending and how cathartic it was.
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It's a shame how many writers are so obsessed with no one figuring out the ending that they end up changing it for something much worse. If you set things up right there's always someone who figures it out and that's ok
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Makes me think of M:I Fallout, where McQuarrie pushes until the literal last second and then gives us that flash of white...seeing that Ethan made it (even though you KNOW he's gonna make it because duh) feels so damn good.
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