I love love love love love love love love love this movie but... this is not a “beautifully-shot” scene.https://twitter.com/jeremyblass/status/1361538455168184323 …
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that point - then I don't know where the logic of not having stylistic changes stops and starts - because ANYTHING could be out of place and so it's heading toward singular tone-ism. Does that make sense?
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It’s not that there’s no motivation, but the motivation feels misguided and out of place. There obviously should be a visual shift, but you can have a visual shift without a different level of visual acuity than the rest of the film.
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