But in a world where everything is turning to streaming and subscription models, the company cash flow now has nothing to do with your given success, so they paint you one way or the other to help their $$$ side.
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For convenience, I ended up putting this in essay form so it was easier to read and expanding on some points. Thanks!https://www.patreon.com/posts/46804164
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Whether its good or not is entirely subjective tho. How many people watched isn't. Netflix controlling the information isn't just about backed - its much more about controlling the narrative about whether they are successful and whether the content is successful
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Slightly unrelated but Netflix's model for feedback on writing seems wack.https://twitter.com/_iamtiredplease/status/1353012415638556672 …
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This whole thread has blown my mind. I'm sitting here at 9am just absolutely stunned. I had no idea it was this bad.
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It's counterintuitive but the streamer math isn't necessarily high ratings = high subscribers. I'd recommend the
@Reuters reporting about this from 2018, per the attached chart.pic.twitter.com/scqxffmrCG
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Much as it bugged me there is no denying that 'box office' was a clear metric for a film's popularity & hence 'artistic success' (usual caveats apply). By messing with that Netflix et al are eroding public perceptions & their trust in numbers - Joe Public WILL ignore eventually.
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