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FilmCritHULK's profile
Film Crit Hulk
Film Crit Hulk
Film Crit Hulk
@FilmCritHULK

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Film Crit Hulk

@FilmCritHULK

Writing essays! Patreoning. Bylines at Polygon. Observer. Vulture. Verge. EW. New Yorker. Playboy. Thrilllist. Contact: filmcrithulk@gmail.com

Avengers HQ
patreon.com/filmcrithulk
Joined May 2010

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    1. Film Crit Hulk‏ @FilmCritHULK Jan 28

      Sure, the people at the very top will be "fine," but they're also buying into their own shelf-life and diminishing the overall ability for almost all other artists to join in profit sharing (again, the no union backend is the real killer).

      1 reply 4 retweets 139 likes
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    2. Film Crit Hulk‏ @FilmCritHULK Jan 28

      Point is this: the nielsens were a wonky system for a million reasons I don't have time to get into (I mean, the studios were the ones paying them soooo) but having an even semi-democratic reporting system on artistic success was critical. Same goes for box office.

      2 replies 4 retweets 160 likes
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    3. Film Crit Hulk‏ @FilmCritHULK Jan 28

      Because it provides the single most important factor of leverage for artists and unions to find some stake in their own success.

      1 reply 4 retweets 121 likes
      Show this thread
    4. Film Crit Hulk‏ @FilmCritHULK Jan 28

      But in a world where everything is turning to streaming and subscription models, the company cash flow now has nothing to do with your given success, so they paint you one way or the other to help their $$$ side.

      2 replies 5 retweets 125 likes
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    5. Film Crit Hulk‏ @FilmCritHULK Jan 28

      I understand some of what I'm saying is generalization and there's a lot of little finicky points in this. There are people are genuine damn experts in all of it (and fighting accordingly). But this is absolutely the broad strokes of what is happening.

      1 reply 2 retweets 121 likes
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    6. Film Crit Hulk‏ @FilmCritHULK Jan 28

      What's hilarious is the studios would have LOVED to have this years ago because it meant they wouldn't have to have shared backend, etc. But now we're undoing basically everything those artists and unions fought for.

      4 replies 4 retweets 137 likes
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    7. Film Crit Hulk‏ @FilmCritHULK Jan 28

      "But but but please tell me it's good for consumers?" Sorry, it just means your favorite shows are going to get cancelled more and for less good reasons. Also movies don't make economic sense for streamers soooooooo not looking great on that front either.

      3 replies 20 retweets 217 likes
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    8. Film Crit Hulk‏ @FilmCritHULK Jan 28

      Who is this ultimately good for? The answer, like most late stage capitalist developments, is always just the major streaming companies and that's it. So it may just seem like numbers reporting, but it's part of the ever-widening, horrifying jaw of the haves and have nots. END

      6 replies 11 retweets 225 likes
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    9.  🏳️‍🌈Jeremy Lawrence Redlien 🏳️‍🌈‏ @queerthecloset Jan 28
      Replying to @FilmCritHULK

      Random question: why can’t unions force streamers to create a system that provides raw viewer data on shows (how many watched for how long) to the unions or a third party similar to Nielsen?

      0 replies 0 retweets 0 likes
    10. This Tweet is unavailable.
      Film Crit Hulk‏ @FilmCritHULK Jan 28
      Replying to @NillBewton @queerthecloset

      Also there's the "budget determining if you are union show or not" question that lingers.

      8:41 AM - 28 Jan 2021
      • 4 Likes
      • Greg Machlin tenoh27 🏳️‍🌈Jeremy Lawrence Redlien🏳️‍🌈 Bill Newton 🏳️‍🌈🏴‍☠️
      0 replies 0 retweets 4 likes

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