This actually speaks to something I talk about all the time, which is that the single most important tool in all of cinema is just plain old shot / reverse shot. It's what gets you to bounce seamlessly between two things interacting and best feel the power of the emotion. And yet https://twitter.com/AnnapurnaPics/status/1333494174985973761 …
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- People overlook the value of this all the time. They fall for tricks of artifice, ever-gliding oners, and whatever slick idea looks "masterful" and yet actually put us further away from the core emotion of the scene.
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Sure, these tricks sometimes get attention in award season when we falsely try to measure art or whatever. But if they worked "better," we would be using them all the time. But they don't. And the best work is often invisible.
11:43 AM - 30 Nov 2020
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