I'll give a short answer. You know how you watch someone pick up a guitar and you know if they know how to play? It's like that.
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It’s a little counterintuitive at that point. Nearly every film school kid is the next Tarantino or Godard or Tartovsky, just ask them. Teaching the importance of those rules is as necessary as teaching the rules themselves.
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Is there anything that you see as an immediate red flag when you see it? Like something that makes you think, "This is going to be bad isn't it?"
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It's usually not something specific. It's the way a LOT of signifiers add up to a "oh this person isn't actually in control of this, are they?"
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This way of thinking changed how I perceived film adaptations of books. Knowing the source material and when they changed it makes it easy to question why they changed it and for what purpose.
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Two Words: Pulp Fiction.
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It might be better to think of them as patterns rather than rules.
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The word pattern makes it a reactive response to something that happens in nature. Story craft is based on purposeful construction. Set-up and payoffs. Communication and insight. A movie does not exist in nature. It is built.
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