Which is critically important, especially as a story goes on. There eventually has to be this clear idea that things work in set-ups and pay-offs and clear dramatic conflicts, that are all building and moving us as an audience toward specific goals.
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When you lack them? It becomes tiring. You re-neg on growth. Character behavior becomes inconsistent. You retread the same cycles over and and over again. Nothing changes because you have no idea how to evolve the conflict into something truly different.
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And with time, it reveals the simple truth that all you ever really had a was premise... And yes, this could describe a lot of work out there, but all this was inspired by a new season of tv show that just came out *insert shrug ascii guy*
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Yeah, one season of Stranger Things felt like enough.
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It's one thing, but it's so key to the execution of the whole. I think it's not apparent to a lot of people initially, but it becomes more integral to the long-term impact of the story. The difference feels like lust vs. love.
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Someone saw Spider-Man
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Oh nvm I didn’t read the followups
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I think the fresh-eyes episode-by-episode reviews of cultural touchstones are a joy to read thank u very much
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I think an idea that helps crystalize this is twist endings vs inevitable endings. Twist is a good gotcha that you will enjoy in the moment. Inevitability makes you reconsider the story as a whole and its broader meaning.
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