END OF EVANGELION: ... ....... ................ *slow clap* That might be one of the most layered, fascinating, brutally honest, utterly devastating, weirdly hopeful, but totally uncompromising works I've seen. ... Gonna need a few.
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The Northrop Frye’s intro to “Anatomy of Criticism” puts it this way: The author “is merely one more” critic, so that “what he [sic] says has a peculiar interest, but not a peculiar authority.”
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1/On the subject of death of the author, I found the approach of Umberto Eco more interesting. In Lector in fabula and The limits of interpretation he conceptualize different forms of intention : one from the reader, one from the author, and the last one from the text itself.
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2/In his conceptualization, every interpretation, even the one coming from the author, is always polyvocal. Many voice exist inside and outside of the text. Those voices create a matrix of interpretation where reader use to read the text.
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