The whole point of these threads I'm doing is to go back and re-visit a lot of what I missed (just did threads on pokemon / avatar). And hopefully, prove that there's no such thing as being "too late" or "too old" to experience something that's outstanding. There's just the will.
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Episode 7: obviously more sleight than the freight trains that came before, but just as critical I'm assuming for set-up. And in the end, an important lesson: "that's what families do"... not like I would know.
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Episode 8: The sense of scale in this show continues to impress, largely cuz it's constantly trying to think about how to use that scale creatively. Seeing the EVA hop on top of battleships is precisely that sort of fun so many others dont think of. Also, my god, the horniness.
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Well, just had to block someone for spoiling basically everything. I've talked about this in the Avatar thread, but I don't know what it is specifically with certain kinds of anime fans. They can't talk about the present moment without talking how its connected to the future.
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Episode 9: Love the payoff to the dancing, especially with how the handle the actual tone of the battle w/ the music and countdown. As far as establishing the dynamics, I'm very excited to see where it goes.
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Episode 10: Ha! Good fake out for the Beach episode. Horniness continues. Fights still inventive, but it's funny how different and social the last few have been in comparison to the crushing solipsism that came before. I'm guessing this will change, of course (don't answer)
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Episode 11: The power outage stuff is fantastic. Good granola is it laying on the daddy issues but in a perfectly clear way. Like seeing Rei more involved. And Kaji is the worst. Also, this angel is some argento shitpic.twitter.com/py8He8mMe3
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Episode 12: We get a peek into the major's backstory (love it) and the fact that they are building up so much positivity and growing relationships and teamwork makes me uniquely terrified for when it all inevitably goes to shit (again, don't answer that).
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Episode 13: Ritsuko backstory! I like how the show just keeps letting us into more characters. But I fully admit, pacing wise, I'm ready for some bigger changes. Also I have never, ever, in all my life seen a show this determined to get its characters naked at every chance.
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Episode 14: AW YEAH, HERE'S THAT CRYPTIC DOUR SHIT. It's weird that I was desperately craving it, but I was. It's pretty much all tease at this point, but it's good tease. MORE TOMORROW!
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Episode 15: Ohhhhhhhhhh, this is why you all like Kaji (he kinda sucked up until this point). Also THE PLOT THICKENS. YUP. THICKENS RIGHT THE FUCK UP. Imma go make fish tacos and come back to this.
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Episode 16: I love the way that power levels / cables play into EVA battles. Cuz this is no "power fantasy." It understands limitations are DRAMA. Also, the evolution of the Angels is fucking awesome. The shadow monster as a pit of despair? Love when a metaphor meets a monster.
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But it all gives more than that, Shinji's "giving up" moment and the survival instinct kicking in? The overlapping of the major and mother? All giving rise to the bloody rebirth of a character who finds the duality of courage / terrifying autonomy? Wow. Favorite episode so far.
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And the beat with Asuka waiting outside the bed! Like, i can't get over how good this episode was. It's like they were very quietly building up little thematic beats and relationship threads for the last 6 episodes, then in one fell swoop, pulled on all of them at once.
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Annnnnnnnnd Zankoku na tenshi no you ni / Shounen yo shinwa ni nare / Aoi kaze ga ima / Mune no DOA wo tataite mo / Watashi dake wo tada mitsumete Hohoende'ru anata / Sotto fureru mono / Motomeru koto ni muchuu de / please don't be mad at me I just googled theeeeeese!
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Episode 17: I looooooove that they take an entire episode to deal with the new fourth child, but it's in that perfect way where they never say it, and yet they are always saying, and so much subtle character work done within all of it. But Toji just carries it all in silence.
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Episode 18: It starts with the little ways the ways the choices stack up, the not telling, the shift in dynamics, the way sadness creeps in, even for Asuka.. and then the second half... That is probably the single most brutal, haunting thing I've ever seen. I gotta go for a walk
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Walk achieved. Ready to plunge into the next one. What I want to take a second and say is that this episode highlights why it's so damn important to have sensitive, emotional characters. Because all I'm still thinking about is how they are going to be hurt by this experience.
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Episode 19: ... The cost of action. Is often nothing compared to the cost of inaction. But when you are the one who acts... You have to live the nightmare.
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Episode 20: Solipsism made literal. The endless meditation of a boy caught in an impossible crux. To battle. To harm. To obliterate himself, which just leaves him with the simplest of wants. To be nurtured. To be taken care of. And so he must die and be reborn. Again. And again.
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Episode 21: A "backstory" episode, but not in a way. There's so much revealed, but so much more inviting us into entire pools of history and unspeakable things the cruelest of behaviors. Shinji's final words might as well have been true for all them... "I was just a child."
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Episode 22: The problem with most humans is that our demons are largely what drive us, but when we're young, we rarely understand that. Watching Asuka lash out, compare, challenge, hate, stamp, and all of it was inevitably going to run out of steam...
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And that's because nothing good ever comes from running from our demons. Not only does it fissure our soul, but because there's no way to even outrun them because they're irrevocably locked inside us. And thus, the only real solution is to heal.
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But that means letting light into the dark places. Letting others see and know that which is so impossibly painful and cause of the damage we do in turn. We feel this is the act of defilement. But the truth is the defilement came long, long ago.
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Episode 23: From unravelling, the real culling begins. All the sins of the father, the original sins of man, all sweeping up into retribution... because there was nowhere else to go.
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Episode 24: So much of the early show was Shinji's internal depression and his juxtaposition with the world. And now, the loss and grief hangs over the world itself. Everything is broken... so of course it becomes a giant fucking cosmic opera... of course.
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