GOT: My takes are ultimately pretty muted in comparison, but can I please talk about how the "inexperienced-with-directing showrunners coming in to direct last episode" habit often leads to some of the biggest problems direction-wise? (Duh)
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The biggest mistake often includes thinking that giving actor's space to emote means loading up your scenes with long pauses and stares, but not realizing that has no actual dramatic rhythm and doesn't actually hint to anything deeper going on?
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It's not an accident you that you see this in a lot of student work and first films. I get that it's wanting to honor interiority, but it's a false assumption that gets beaten out of you pretty quickly because directing's first job is to shape, target, and accentuate.
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Like, that's a 55 minute script if I've ever seen one, but we're loaded with constant scenes of characters walking into places with trepid looks on their faces. Where they goin? What's happening? What's the cause and effect? We don't know, actually. But it's broody!
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I think about this all the fucking time.
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