And just like that “Old Sweepy” becomes my favorite character.pic.twitter.com/YHgpJxPPDm
Writing essays! Patreoning. Bylines at Polygon. Observer. Vulture. Verge. EW. New Yorker. Playboy. Thrilllist. Contact: filmcrithulk@gmail.com
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And just like that “Old Sweepy” becomes my favorite character.pic.twitter.com/YHgpJxPPDm
Lake Laogai: 1. Seeing Uncle Iroh passionately yell for introspection was, well I don't what to say unexpectedly powerful, because it both took me by surprise and yet makes all the sense the world 2. 
The Earth King: yeah yeah lots of putting pieces in position, but now crazy super excited for finale...
Part 1 - The Guru: A cynical, simplified comparison would be to call it "Luke's Dagobah choice," but because this show is so freaking grounded in psychology and meaningful story choices it just plays so beautifully - and with genuine insight into Aang's mind and journey.
Part 2 - The Crossroads of Destiny: I have seen many stories and shows attempt to nail this kind of difficult crux in the story, to hit those difficult notes, to make those difficult choices... but I have never seen it executed as well is this. Wow.
The Awakening: Largely a quick re-set, but works because it so rightly gets to Aang's feelings of failure. More just excited for what's next.
The Headband: Now THAT's what I'm talking about. Organic world building, small stakes story, a dance party (!!!) and HILARIOUS- "you must be one of those popular kids I'm always hearing about!" / "And this one I made out of noodles!" / "Sapphire Fire!" / Toph's Nelson laugh.
The Painted Lady: A little more clunk than normal, but the final stand-off seals the functionality of the build-up. I wish other shows understood apotheosis like this one. Every detail builds. "Now you look just like a little hill with horns!"
Do i bed or one more
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