The prophet hath returnedpic.twitter.com/M65Bc7jAwa
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OK I WROTE FOR 12 HOURS, FIRST WHERE IS MY COOKIE AND TWO I GET AIRBENDER NOW PLEEZ?!?!!
I love the details of the animation. Toph’s feet being dirty is so goodpic.twitter.com/prAOZouHGS
this is how ignorant I am... I HAD NO IDEA WHAT I JUST DID AND WHAT IT HATH UNLEASHED- OH GOD OH GOD OH GODDDD
The Library: it's so weird how that little montage time thing doesn't work when there's so many ways you can cut through simpler, BUT THAT ENDING 
Oh also the episode was tremendously funny i dont know why i concentrated on that little not important detail im sorry im very tired and my brain is mush, but something tells me this fact is going to make for an interesting approach to the thread.
The Desert: Angry Aang! Actually blind Toph! LSD Sokka! I love motivated all these choices are. Nothing feels like affectation. Aang's Appa connection runs so deep that it's one of those things you never thing about until it's removed. And then the true terror of vulnerability.
As it develops, Aang continues to be one of my favorite protagonists. It's not just that he's jovial, kid-like, and fun. It's always in terms of how they approach his "un-aang-like" moments and how they speak to his fears and ultimately, what they use to teach him to grow.
A MEAN NO GOOD JERK-FACE JUST SHOWED UP AGAIN AND I DONT LIKE NOPE NOT ONE BIT!!!!
GOOD NEWS! ITS OKAY CAUSE THEY BROUGHT CABBAGE MAN BACK TOO!!!pic.twitter.com/ST95NMF04t
Me: "man the pacing of this episode feels really off, I wonder if- OH WHAT THIS EP IS 46 MINUTES?!?!?!?!" .... *thinks* ..... *makes pasta*
"I thought I was trying to be strong, but really I was just running away from my feelings." Can't tell you how long it takes to learn this. Even kind or sympathetic people can be so afraid to be weak or vulnerable, often because they never learned how. I love this show.
i made the pasta so i could keep watching my stories but the pasta made me sleepy so now im in bed this is a very good thread send tweet
Went back for part 2, THE DRILL: which turns out is a giant set-piece that is literally "fury road good." I'm constantly delighted by how smart the action is too when it comes to the ingenuity of using the elemental magic and how they can all work together.
“You dont know what I had to do to get seats this near the bear!” This is a good show.pic.twitter.com/guxBRUAmX5
City of Walls and Secrets: Yeah, yeah, yeah it's mostly set-up but YIKES. Also, the aforementioned just a bear.
Tales of Ba Sing Se: No doubt, a love letter to each character and I feel we could speak in depth about each, from hurtful make-up politics to secret memorials to animal cruelty to haiku battle rap an angry boy's vulnerability to a homeward bound journey pointing forward...
But throughout all, the simplest message: For a show about epic battles and grand gestures and destinies long since written, in truth, we show who we really are in how behave towards those we barely know.
Appa's Lost Days: Earlier in this thread people would ask "what kind of bender are you?" and I would joke "I'm pretty sure I'm just Appa" so JESUS FUCKING CHRIST AVATAR I'M TRYING TO SPEND TWENTY TWO MINUTES *NOT* CRYING MY EYES OUT THESE DAYS 










And just like that “Old Sweepy” becomes my favorite character.pic.twitter.com/YHgpJxPPDm
Lake Laogai: 1. Seeing Uncle Iroh passionately yell for introspection was, well I don't what to say unexpectedly powerful, because it both took me by surprise and yet makes all the sense the world 2. 
The Earth King: yeah yeah lots of putting pieces in position, but now crazy super excited for finale...
Part 1 - The Guru: A cynical, simplified comparison would be to call it "Luke's Dagobah choice," but because this show is so freaking grounded in psychology and meaningful story choices it just plays so beautifully - and with genuine insight into Aang's mind and journey.
Part 2 - The Crossroads of Destiny: I have seen many stories and shows attempt to nail this kind of difficult crux in the story, to hit those difficult notes, to make those difficult choices... but I have never seen it executed as well is this. Wow.
The Awakening: Largely a quick re-set, but works because it so rightly gets to Aang's feelings of failure. More just excited for what's next.
The Headband: Now THAT's what I'm talking about. Organic world building, small stakes story, a dance party (!!!) and HILARIOUS- "you must be one of those popular kids I'm always hearing about!" / "And this one I made out of noodles!" / "Sapphire Fire!" / Toph's Nelson laugh.
The Painted Lady: A little more clunk than normal, but the final stand-off seals the functionality of the build-up. I wish other shows understood apotheosis like this one. Every detail builds. "Now you look just like a little hill with horns!"
By the way I love when shows redesign their standard models and the new fire outfits are 


Sokka's Master: A lovely episode that shows how much of our value lies in the way we're missed, and all the ways Sokka brings such strength, creativity, and versatility to all those around him. It's honestly best version of the "xander" archetype I've seen. Plus...
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