This arrival sequence was genuinely enthralling...pic.twitter.com/UC37yTKpIt
Writing essays! Patreoning. Bylines at Polygon. Observer. Vulture. Verge. EW. New Yorker. Playboy. Thrilllist. Contact: filmcrithulk@gmail.com
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This arrival sequence was genuinely enthralling...pic.twitter.com/UC37yTKpIt
"I carved it myself" (halp i'm dying)
The Siege of the North: It's a true, genuine epic. At once a catharsis of a season and it's own beautiful story within the story. There's so much I can say, but I'm really just sitting with it.
The Avatar State: I tend to hate when characters can go into "god mode" because it so rarely makes that metaphor about anything. It's always like "believe in yourself real good!" or some nonsense, which is exactly why I love this episode.
Not just in the way it creates logic and stakes and rules, but because it so squarely hits the metaphors of power and being out of your body and lacking control and the terrifying reality of that. This is a show so grounded in consequence.
You know how I talk about storytelling being therefore / but transitions and economy? BOOP:pic.twitter.com/mJHyANl5nK
The Cave of Two Lovers: The moment of Zuko taking the birdhorse thing... I love when shows understand that these intimate, small forms of pain and cruelty are so much more devastating than all the battles and "big" life / death put together.
Return to Omashu: I love how much the show understands that it can't keep playing the same cards. Changes come in the form of lovely new conflicts and developments.
And for the last time (really, I'll stop the thread no problem), stop discussing future events and or how characters are going to change. Even if you think you are being vague or general, trust me, you are awful at it.
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