“Someones being attacked by a platypus bear!” Cut to:pic.twitter.com/gWrGSczQnY
Writing essays! Patreoning. Bylines at Polygon. Observer. Vulture. Verge. EW. New Yorker. Playboy. Thrilllist. Contact: filmcrithulk@gmail.com
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“Someones being attacked by a platypus bear!” Cut to:pic.twitter.com/gWrGSczQnY
So many shows do the "Friendzone: Let's Back Up This Notion!" and the "The Fortuneteller" thankfully doesn't but there are so many little moments that come close and it's always like this big dramatic meta-game I have watching this stuff.
Bato of the Water Tribe: Love that it understands you can have your characters make bad choices, you just have to properly motivate them. I love how the lessons are starting to stack and help the characters evolve too. Really good Sokka episode.
The Deserter: Love the efficiency of the parables. Warnings, actions, consequences, and lessons move so fast in this show, but it's all grounded in earned character dynamics. It's exactly what makes it feel so urgent. Plus the moment where katara switches the masks is so good.
The Northern Air Temple: "Stink! Never underestimate the power of stink! I really have to say again and again that the action in this show is so dang good. The siege here isn't just well-coordinated with clear geography, it's so smart and storytelling-driven, too.
This arrival sequence was genuinely enthralling...pic.twitter.com/UC37yTKpIt
"I carved it myself" (halp i'm dying)
The Siege of the North: It's a true, genuine epic. At once a catharsis of a season and it's own beautiful story within the story. There's so much I can say, but I'm really just sitting with it.
Related question: Is the Leviathan too far along in the editing process to use A:TLA in its examples?
God i hope so
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