But it's so much of everything I talk about ad nauseam: clear conflicts, clear psychological characterization, wants and needs, problems getting solved through catharsis and conflict-based impasse, not "just cause." It's all therefore / buts, etc. In other words, I'm excited.
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TBH I really do like most art that is good at the fundamentals. There's a lot of art out there that finds the fundamentals boring, but I'm pretty sure it is that those artists are just scared because the fundamentals are really, really, really hard and there is no winging it.
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Episode 2: Wow the action in this show is really fun and inventive and grounded in story, huh?
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Ok this show is REALLY good.
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Fun side note: These are now the only blu rays I own along with Fury Road (I purposely do not collect them).
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Episode 3: I keep meaning to take more screenshots but Im too busy just being INTO the show. Anyway, this show is really prettypic.twitter.com/WzrIy2dahX
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Episode 3: I tend to hate "refusal of the call" storylines because the writers oft make them so over-simplified and a-psychological. But this episode understands the complexities completely. For it's not that Aang simply "doesn't want to" or is "scared," but instead
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Explores those same feelings through beautiful wants and needs, searching for alternative solutions, bargaining, delusions, finding roots and parent figures and safety, all before coming to that moment of letting go, which is really what growing up is... all in 22 minutespic.twitter.com/42fRANMA8D
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Replying to @FilmCritHULK
At long last, Hulk has discovered Foamy Mouth Guy.
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To say i had no idea this was a thing would be an understatement.
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