Wanna know why the Rey parentage story isn't going away despite the emphatic answers? 1. Because JJ doesn't know how to set up actually story turn. He literally said his plan was also for her parents to be "nobodies." This was always the plan. But the problem is...
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He layers in "the air of mysteriousness" into just about any plot detail to make you question it because he's all about stoking your questions. This has been the M.O. his entire career.
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In his mystery box presentation he literally says the answer doesn't really matter. It's just about drawing people in. The problem is that in storytelling the answer is THE MOST IMPORTANT PART. It is literally the point of what you are saying and communicating and how.
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It's the heart of dramatization. And again, I think JJ's great at so much with direction, I like him, I really do, particularly imbuing things with energy and texture but this constant, fundamental misunderstanding is at the heart of the lack of dramatic punch behind every...
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big moment that's had to deliver in his entire oeuvre. He constantly works his stories into bad corners where the intended answers can't work for what he couldn't help but play up with mystery.
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Sometimes, you just have to come at things head on and set up the answer you're going to dramatize in spades. Because often it is the best way to make a great moment of character catharsis truly sing.
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2. And this is the more important one, we've been conditioned by destiny-fueled hero storytelling to think that genetic connection to superiority is just "how power and heroism works" and that's the grossed gross that's ever grossed.
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And yet no one ever thinks of the ugly association, or worse, they absolutely do. END RANT.
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Opening scene is the best thing he's ever done and it just so happens to be the most straight-forward, ham-fisted drama. The actual story is a mess, but he's really good at executing on all the relationships / characteristics. Probably my fave thing he's done outside lost pilot
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Replying to @FilmCritHULK
Weirdest thing that the one Abrams-y thing TLJ actually borrowed from was that opening scene - big sacrifice from a character who only had a few mins of screen time & barely any lines, yet still made people cry over their loss - then had family member grow to match their heroism
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