Given the day it is, here’s 'Consummatum est' (1867) by Jean-Léon Gérôme, which drew severe criticism for turning away from traditional iconography, when presented at the Salon (1868), and disconcerted its contemporary viewers with a photographic rendering of light and shadowspic.twitter.com/sPwQT1E0D1
3:41 AM - 30 Mar 2018
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