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About his 'Concrete Mirrors' series, David de Beyter says: 'These architectures are not chosen for the formal appeal they can wear, but because they embody the obsolescence of a thought, the thought of utopia as a territory of thought and creation'
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If I'm not mistaken, this is Denge, a former Royal Air Force site near Dungeness, in Kent, England, known for its early experimental acoustic mirrors. And I suppose the name of the series comes from these 'acoustic mirrors'
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