Conversation

“I made and mounted a machine-like robot, visored, menacing, and carrying within itself its progeny, protectively ensconced. Here is the armed, sinister figure of today and tomorrow. No humanity, only the terrible Frankenstein’s monster we have made ourselves into…” (J. Epstein)
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One the reasons why the militarized hyper-masculinity of the first version (1913) gives way to a more iconic, suffering figure in the metallic torso is the death of his friend Henri Gaudier-Brzeska, killed at a charge at Neuville St. Vaast, on June 5th, 1915
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In his 'Autobiography', Epstein remembered that 'Gaudier Brzeska was very enthusiastic about it [Rock Drill] when he visited my studio in 1913 with Ezra Pound to view it. Pound started expatiating on the work. Gaudier turned on him and snapped, “shut up, you understand nothing!"'
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