Appears to me Giovanni Bellini is integrating Netherlandish influence in this painting, while retaining an essentially Italian/Venetian approach. I'm thinking of the way he sets up and presents landscape in particular here
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Experts say that he took a taste for minutiae from Flemish masters such as Hugo van der Goes and Rogier van der Weyden. However, Mantegna is still the biggest ghost in this painting
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New conversation -
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do the rabbits represent Christ’s victory over the accuser in the desert?
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