Varsha Panjwani

@EarlyModernDoc

Theatre and Film Lover; Lecturer at Boston University (London) and Fordham University (London); Thinks she is funny!

London
Joined March 2014

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  1. For one of my who wanted to C a production of Henry IV after I taught it - cheap tkts for youngsters!

  2. London Stories: Made By Migrants review – raw and illuminating

  3. using emoticons to map the flow of love and desire in

  4. Interesting details in the exit polls. It’s NOT the poor who voted for Trump, it’s rich white american men.

  5. Keep creating art, networking, talking, planning, sharing, building, loving. Pursue empathy with a demonic passion in every relationship.

  6. One of you fessed up that 'King Lear' is your favourite so here's the production

  7. Is what you describe incompatible with current editorial conventions?

  8. Thank you for your workshop - I feel much more confident that students will use better research sources now!

  9. Macro level - Using evidence of joint writing to question single author editions

  10. 6. Clarifying external evidence + assumptions inherent in linguistic fingerprinting

  11. 4. Introduction making clear that several models of joint authorship possible

  12. 3. Framing commentary and notes linking play to both authors' other writing & performance history

  13. 2. Editorial notes and annotations tracing links across the play instead of inconsistencies

  14. Micro level 1.Print entire play-including fragment signals joint writing =singular writing of bits

  15. What next? Audience members are not allowed unless unwashed, in full 16c costume, and chewing garlic?

    • @midnightmovies

      I'm the 'Australian Feminist' at .

    • @histheol

      History and Theology project, researching seeds of tolerance (1500-1750), University of York. You can follow our Wordpress Blog (see below)

  16. Yeah-let's employ an innovative director then make her conform to conservatism!! 'Taming of the Shrew' much?

  17. - which side of the debate are you on? Emma Rice: Shakespeare's Globe boss to leave over lighting row

  18. Surely identifying 'who wrote which bit' is the first step in that broader conversation?

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