Like some of y’all have been writing about pop music (or even classical) for so long with no attention to race and all of a sudden it’s a focus — instead of stepping back, doing the reading, the work, and amplifying other voices vs trying to speak over them. I mean, goodness.
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But it becomes a feedback loop of folks with minimal to no investment in giving up their power or doing the difficult work of tearing down or restructuring systems talking to one another & feeling warm/fuzzy inside for talking to one another. Meanwhile, anti-blackness persists.
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Kiitos. Käytämme tätä aikajanasi parantamiseen. KumoaKumoa
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You ain’t never lied!! This becomes even more apparent as I’m asked to review articles.




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This! UK Institutions now performing investment in it as hot topic V recently didnt want to know. I’ve pretty much given up on pursuing a PhD now because my work starts with understanding relation between whiteness, elevation of aesthetic object/spectacle, extractive culture.
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In funding interview I was grilled by 5 academics who made me justify doing creative work that includes social and corporeal considerations as variables and they weren’t buying it. But some one can come in and be like “Cage’s work on indeterminacy freed us all” and it’s
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writing a book on blackface & “
say that